Our 2nd Powered by the Apocalypse campaign, this one went way better; we even finished it!
Set in a world over run by wild malicious forests, where ruins of the old world are being choked out and eaten away by plants. Nestled in the mountains of the this world is the dam our protagonists call home. A community divided, politically and physically.
Our characters will have to navigate the political waters of this world to try an accomplish their various goals.
We hope you enjoy listening, if you like to see what we thought of the campaign you can read more after the break.
Raymond: I loved running this campaign. It took a completely different turn than I expected right off the bat. The whole political aspect really surprised me, and I’m so glad I could run it well. I’ve had trouble running political plots in the past, and I got pretty nervous after the first episode.
I did have trouble giving peoples characters things to do in every session, but we made it work in the end.
I was pleased that we managed to keep the tone and world building consistent. And I think the storytelling was some of our best so far.
It was great fun running a Powered By The Apocalypse World campaign and we defiantly need to run more of it.
Ryan: For me, the Verdant Mountains campaign didn’t really hit its stride until somewhere around game 7 or 8, when the threat of the Mountaineers became apparent. Before then, the story meandered a bit, the players resisted having scenes together, and our characters (with the exception of Ozair) were all very noncommittal about their choices. Ayazama played the game of hardhold politics, but eventually decided not to manipulate himself into a position of greater power. Saffron, despite what others assumed about him, was rather naive and thought of himself more of an artist than a businessman. He pretty much allowed others to lead him by the nose at every turn–including his mask, in the end.
Alex: I agree with Ryan for the most part, except that I enjoyed the slow burn of the first act. I thought the politicking and the going back and forth were interesting. I do, however, regret some of the choices I made. There was a time when I kept waffling on Ayazama’s motivation, and it shows. However, I did like how he eschewed everything he set up for himself initially once he realized he was being played and was way over his head.
And the climax was fantastic — we all managed to put aside our differences for the sake of the community. Which, really, was all Ayazama wanted.
Brandon: While I really enjoyed Verdant Mountains, I think we made a few mistakes with the game itself. I think perhaps Raymond had a specific idea of the game especially with the kinda of Verdant plant filled apocalypse with raiding and factions. We also put time into developing the world outside, particularly the creatures. We then made characters, and the playbooks probably should have been chosen before the fact, particularly when we ended with the Waterbearer and Maestro’D, because they really inform the direction of the game being more politically or at least can be. From my times running and playing PbtA games I think creating characters then creating a world to fit around them can sometimes function more cleanly. It definitely would have behooved us to pay more attention to what we have created or talked about what we wanted. I think that would have pushed the game along toward a better direction.